Blogs

abstraction

Curator's Corner

An Artist of the "Cool School": Ed Moses

Monday, July 17, 2017 | Karl Cole

Far too often art history texts sum up the pioneering American avant-garde of the mid-1900s with Abstract Expressionism and the New York scene. Believe it or not, there were avant-garde artists all ov ...

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Curator's Corner

Renaissance Perspective or Butterfly? Mark Grotjahn

Tuesday, May 30, 2017 | Karl Cole

I don’t like to admit to something like this, but when I first saw this work in the MoMA collection, I didn’t pay that much attention to it. When I saw it a second time the other day, I wa ...

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Curator's Corner

The "Things" of Art: Lee Ufan

Monday, November 21, 2016 | Karl Cole

I really like introducing you to artists I’ve just begun to appreciate, especially if their work is a breath of fresh air on an otherwise dreary day. That certainly applies to the work of Ufan L ...

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Curator's Corner

August Artist Birthday to Recognize: Hedda Sterne

Wednesday, August 10, 2016 | Karl Cole

Give credit where credit is due, I always say. Sadly, that isn’t something a lot of art history texts do when it comes to women artists. For instance, there were many women practicing some form ...

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Curator's Corner

Surprise! Ethel Schwabacher

Monday, June 20, 2016 | Karl Cole

I always like to be surprised, learning about an artist I know little or nothing about. I’m certain that the names that come to mind when the style “Abstract Expressionism” is mentio ...

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Curator's Corner

Music

Monday, January 18, 2016 | Karl Cole

An artist picking up his artwork from the latest exhibit in the Davis Art Gallery, In Vision: 2D and 3D Landscape, proposed an idea for an exhibition of art related to jazz music. I’m sure the a ...

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Curator's Corner

Winter

Monday, January 11, 2016 | Karl Cole

Well, it’s winter. Instead of ruefully awaiting spring, I prefer to look at works of art that evoke the idea of winter, one way or another. It’s always interesting to me how artists can ca ...

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Curator's Corner

Gently Waft into Fall: Elizabeth Otis Boott Duveneck

Monday, September 21, 2015 | Karl Cole

Since I don’t know many people who enjoy seeing summer end, I use the words “gently waft” instead of “fall” for this post. What better way to mark—not celebrate&mda ...

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Curator's Corner

A Consistent Concretist: Carmen Herrera

Tuesday, September 15, 2015 | Karl Cole

I recently learned about an artist who turned 100 this past may. Turning 100 is fabulous, and even more fabulous is discovering that this artist was ahead of her time stylistically in painting, but di ...

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Curator's Corner

Vacation Blog: Provincetown Modernism

Monday, August 24, 2015 | Karl Cole

I’m off on a week’s vacation in Provincetown, which, as you may know, has been the home of a thriving art colony since the late 1800s. The Provincetown Art Association was founded in 1914, ...

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Curator's Corner

A Realism Backlash? Modern Art Heads

Tuesday, August 18, 2015 | Karl Cole

After the horrors experienced by Europeans in World War I (1914–1918), the brakes were more or less put on to the prevailing trend towards modernism and abstraction, although certainly many arti ...

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Curator's Corner

The Essence of Essence

Monday, August 3, 2015 | Karl Cole

I’ve been reading manifestos by several early modernist artists from Europe recently (Kandinsky, Boccioni, Doesburg), and a recurring thought comes out in all of their writings. It is the idea t ...

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Curator's Corner

How Old Is This? Edo and Jutta Sika Ceramics

Tuesday, May 26, 2015 | Karl Cole

Lately, I can’t seem to get away from seeing “abstraction” in all sorts of places. I came across this wonderful Japanese bowl from the mid-1700s to mid-1800s, during the Edo period ( ...

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Curator's Corner

Abstraction is Nothing New: Ancient Egypt

Monday, May 4, 2015 | Karl Cole

I’m making a declaration: artists were inspired to create abstract art thousands of years ago. When one (and by “one” I mean a person reading an art history text) reads about any art ...

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Curator's Corner

Survey No. 12: Abstraction

Monday, February 2, 2015 | Karl Cole

In our art history survey, we are now at the end with the 1900s. The big “revelation” in Western art starting very late in the 1800s and flowering in the early 1900s was abstraction. Abstr ...

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Curator's Corner

Not Black and White: Franz Kline

Monday, March 17, 2014 | Karl Cole

When we think of Abstract Expressionism, we usually think first of dynamic brushwork. That is certainly the case with Franz Kline. However, in the case of Kline’s work, one tends to think of wor ...

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