Gem of the Month: Morgan Russell
As I did with Charles Willson Peale (1741–1827) last week, I'm presenting another American original today: Morgan Russell. Russell was one of the first American artists to exhibit nono ...
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Curator's Corner
AAPI Heritage Month 2022: Kim Hwan-gi
Kim Hwan-gi (Kim Whanki) was a pioneer modernist in Korean art and subsequently in American art after he immigrated in 1963. His pioneering abstract works added greatly to the rich modernist atmospher ...
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Curator's Corner
Women's (Art) History Month: Vera Klement
I have always been fascinated by how progressive (i.e., abstract) styles have continually found their footing as a counterpoint to the pervasive tradition of realism in American art since the early 19 ...
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Curator's Corner
April in a New Perspective: Pierre Soulages
I’ve been a big admirer of Pierre Soulages’s work since I saw a show featuring him and Swiss artist Gérard Schneider (1896–1986) when I was home a few years ago. The ...
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Curator's Corner
Gem of the Month: Rogelio Polesello
“Argentinian Modernism” is not really a term bandied around at any length in surveys of modernism of the mid- to late 1900s. The truth is, the development of modernist art movements in Cen ...
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Curator's Corner
American Originals: Morgan Russell and Stanton MacDonald-Wright
I’ve mentioned in previous blogs how spotty modernism was in American art in the early 1900s. Since the colonial period, American artists had a tenacious obsession with realism, including the wo ...
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Curator's Corner
African American History Month 2012: William T. Williams
We’ve discussed self-taught art, nineteenth-century academic art, and contemporary issue-oriented art in relation to African American History Month. Let’s now talk about black art that has ...
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Curator's Corner
Happy Festive Days: Linda Besemer
In Switzerland, the time between Christmas and New Year is called Feschttage, which I guess could loosely translate to holidays. I prefer to think of it as festive days. In that spirit, ...
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