March into March: Allan Rohan Crite
As we march into March—and spring—let’s bid a temporary goodbye to Black History Month with a painting by Boston’s own Allan Rohan Crite. I was greatly privileged to meet ...
Read MoreAs we march into March—and spring—let’s bid a temporary goodbye to Black History Month with a painting by Boston’s own Allan Rohan Crite. I was greatly privileged to meet ...
Read MoreI’ve written before about the long-standing interest in extreme realism in American painting. Colonial American self-taught artists (“limners”) may not have been schooled in anatomy, ...
Read MoreI’m a big fan of artists, especially American artists, who may not be household names like Homer, Peale, or Eakins, but who nonetheless had an impact on art during their careers. There is such a ...
Read MoreI guess it doesn’t need to be said, that, in the history of art, there are many artists who just don’t get massive exposure. Although they might often be lauded in their day, their works d ...
Read MoreHaving said last week that I’m “not a big fan of realism,” I’ll punish that thought again by showing you a work by a master realist. I just came across this work in passing, an ...
Read MoreI always like to examine artists who are not written about in a major way in art historical publications (maybe because I’m a painter who will NEVER be written about in ANY art history textbook) ...
Read MoreAmerican art has always been characterized by a strong reverence for realism, from the early colonial portraits by artists such as John Singleton Copley, through the Hudson River School, and into the ...
Read MoreStill yearning for warmer weather, my thoughts in spring always turn to paintings of nature. When asked to think of work by American realist Winslow Homer, of which of his genres do you think? Illustr ...
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