Survey No. 7: The 1700s
As we approach the 1800s in our Art History Survey, just so we do not forget (as if) that art was being produced in other parts of the world besides the West, let’s look elsewhere at art produce ...
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Curator's Corner
Saturated Autumn Color: Meiji Period
I know I showed a Japanese artist’s work last week, but I got so excited when I came across this woodcut print that I just had to share it with you. It’s a perfect example of saturation&nb ...
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Curator's Corner
East-West Influence, Revisited
When one thinks of “influence” concerning Asian and Western art, one tends to think of Western inroads into traditional Asian styles and subject matter. However, Western art has been influ ...
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Curator's Corner
Thoughts About Abstraction: Totoya Hokkei
Abstraction is any art that does not represent observed aspects of nature or transforms visible forms into a stylized image. Another definition (which I prefer) is that abstraction is the extreme simp ...
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Curator's Corner
Aizuri-e = Wonderful: Kunisada
Aizuri-e means blue printed picture. Traditionally, the blue was derived from the dayflower. However, via the Dutch in Osaka, Prussian blue was imported from Europe as early as the 1790s. It did ...
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Curator's Corner
The Anonymous Artist: J.T. Bowen
While accessioning the John James Audubon Quadruped series this week, something occurred to me that I never really considered before, call it my “Hmmm” moment of the week: In the hist ...
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Curator's Corner
Kacho-e: Ohara Koson
Today’s post is about my epiphany of the week. In a previous post I introduced you to the early 1900s phenomenon in Japanese woodblock prints called sosaku hanga. That was the continuation of th ...
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Curator's Corner
Pioneer Art Educator: Arthur Wesley Dow
The late 1800s and early 1900s was an amazingly fertile period in American art. Between the 1870s and 1890s, thousands of American artists went to Europe to study art. This included the likes of ...
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Curator's Corner
Three Friends of Winter: Yabu Chōsui
I’m celebrating the beginning of winter by showing you an image that goes along with the "Looking and Learning" theme for December in our SchoolArts magazine: Stories. I don’t re ...
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Curator's Corner
Meiji Ukiyo-e: Ogata Gekko
I always like introducing you to artists who are not on the radar in mainstream art history. I know, there are so many, so where do I start? In one of my little “epiphany moments” of sorts ...
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